Reg. Trib. Milano n. 418 del 02.07.2007 - Direttore responsabile: Elisabetta Brunella

Special Edition No. 222 - year 19 - 23 February 2024

Special issue on the occasion of the 74th  Berlin International Film Festival

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Dear Readers,

Elisabetta BrunellaIn this issue we once again return to the Italian films that established themselves on the European market in 2023, with reference to the countries that have passed on their statistics over the past few days. You will find a practical, colour-coded map showing the titles that come in top place in the classifications of Italian productions and co-productions on each of the markets that have already provided figures.

As you will see, there is a predominance of turquoise, the colour associated with "Le otto montagne”/”The eight mountains", 2023’s authentic "best seller".

Whilst inviting you to discover more ambassadors of cinema made in Italy, we suggest a visit to Bardonecchia, in the Italian Alps, to make the acquaintance of the Cinema Sabrina and its interesting experience on the path towards environmental sustainability.

Until our next issue,

Elisabetta Brunella
Secretary General of MEDIA Salles

ITALIAN FILMS THROUGHOUT THE WORLD

The eight mountains”, the film taken from Cognetti's novel of the same name, reaches top place in the classification of the Italian titles most widely seen on European markets in 2023
by Elisabetta Brunella

After publishing the first available data on the dissemination of Italian cinema in European cinemas during 2023 (see the article in DGT online informer no. 221), MEDIA Salles has continued to collect information on the territories that have been making known their statistics on the most widely viewed films in the past year.

It thus emerges that “Le otto montagne”/“The eight mountains”, a favorite of spectators in several European countries, has come top in the rankings of films from the Bel Paese even on large markets such as Germany and the United Kingdom.
In the British rankings, the film based on Cognetti's novel is followed closely by “L'immensità”/The immensity”, while “Eo” is in third place.

A similar situation - with “The eight mountains” in first place and “The immensity” in second - also occurred in Germany and Denmark, countries where "Nostalgia" came in third place.

The eight mountains” also ranked first in the Netherlands and in the Czech Republic, while it gained second position in the Slovak Republic, as well as in Spain.
In Latvia “The eight mountains” is sixth, immediately preceded by “The immensity”. Also significant is the success of cultural content such as "L’ombra di Caravaggio”/”Caravaggio’s shadow” which was placed fourth.

Michele Placido's film is fifth in the Czech Republic and Spain, third in the Slovak Republic, fourth in Germany and even first in Hungary, following a tradition that often sees productions dedicated to great Italian artists in places of honour.
Italian co-productions that
reached the top of the podium were “The tiger's nest” in the Slovak Republic (while in the Czech Republic it came second) and “Mafia mamma”, champion in Latvia.

Also significant was the success of "Ennio", which gained tenth place in the Czech Republic and fifth in Hungary. The first available data, although still provisional, shows that “Ennio” has gained a good position on the German market too.
Finally, releases of "classic" films produced or co-produced by Italy were particularly appreciated also in 2023.

We see this above all in the Irish top ten, which, in third place, presents "Suspiria", in fourth place "La dolce vita", in fifth place "Otto e mezzo", in seventh place "Amarcord", in eighth place "Cinema Paradiso". But also in Great Britain, among the top ten Italian films, "Il disprezzo”/”Contempt" appears, in Spain "Cinema Paradiso", in Hungary "Il buono, il brutto, il cattivo”/”The good, the bad and the ugly”.
Among the most loved Italian films there are films directed by Paolo Sorrentino in Hungary (“Youth”), in the Czech Republic (“La grande bellezza”/”The great beauty”) and in the Slovak Republic (“Loro”, “Youth” and “The great beauty”).

This is an interesting and also gratifying phenomenon, but which does not fail to raise the doubt that the prestige enjoyed by Italian cinema on a global level is still largely linked to the glories of the past.


GREEN CINEMAS

The "Sabrina" of Bardonecchia: investing in sustainability is good for the environment and for the cinema
by Samuele Paolinelli

Bardonecchia is the westernmost town in Italy, on the French border. Located at 1,300 m. above sea level in the Alps, it is a well-known ski resort, which hosted several competitions during the 2006 Winter Olympics, but also a busy, summer tourist venue: at peak times, the number of tourists is ten times the number of inhabitants, rising from three thousand to thirty thousand.

Amongst the facilities that the “Pearl of the Alps” offers residents and holidaymakers alike, is the “Sabrina” cinema, an independent theatre with a long history behind it. Built in the ‘60s, it is still in the hands of the family that founded it. The generations that have succeeded one another in running it have managed to conserve its original nature, whilst also introducing some significant innovations.

Amongst the latter, pride of place goes to the installation around ten years ago of a 10-Kilowatt photovoltaic system that allows the cinema to make its work “greener” and has generated numerous benefits. “Thanks to our participation in the “second energy account” of the GSE (Gestore dei Servizi Elettrici) which, as well as a contribution to gross production over 20 years, provides the opportunity to direct the cinema’s excess energy production into the network, our spending on electricity has fallen by around 30%,” we’re told by Marco Cassolini, the Sabrina’s exhibitor, “something that has allowed us to lower the threshold of income needed to balance our running costs.”

But their commitment to sustainability does not end here. Cinema Sabrina is planning another important step forward by proceeding to replace their existing projector using a xenon lamp, with a new laser projector equipped with 4K technology. The aim is to reduce energy consumption and gain benefits from the longer-lasting lamp.

Their “green” choices have also been good for the cinema’s reputation. The Sabrina is well-known for its programming, which offers both residents and tourists in Bardonecchia, as well as those living in various other locations in Valsusa now without a cinema, the opportunity to see up-to-date, quality films. At the same time, it has attracted the attention of the general public and local and national media – including “La Repubblica” which dedicated a flattering article to it just after the photovoltaic panels were installed – thanks to its attention to energy saving. The initiative was in fact warmly welcomed and appreciative feedback has followed.

To sum up, this is a story that shows how investing in sustainability - and effectively communicating the work done - can become a winning move for a cinema, affecting both the environment and the economic balance. Obtaining a reduction in running costs and at the same time making the cinema better known are essential factors for guaranteeing the presence of a movie theatre in a catchment area that is not particularly ample. These days in particular, since Covid has determined a change in cinema-going habits that favours viewing within the four walls of home.


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Edito da: MEDIA Salles - Reg. Trib.
Milano n. 418 dello 02/07/2007
 
Direttore responsabile:
Elisabetta Brunella
 
Coordinamento redazionale:
Silvia Mancini
 
 
Raccolta dati ed elaborazioni statistiche: Paola Bensi, Silvia Mancini