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From the eighth edition
of the course Helsinki and Tallinn - daily update - |
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![]() In the same spirit as Cinema Digitaal, but starting out from different conditions and modes of operation is Digital Funding Partnership, promoted by the CEA, the English exhibitors’ association. Although the United Kingdom was actually a pioneer of digitalization, thanks to public intervention, and several large groups have recently opted ![]() DPF’s objective is for around 75%-80% of the costs of digitalization to be covered by VPF, whilst the rest is paid by the exhibitor. The British system – unlike the Dutch - does not have any public resources available. “What we have done in the UK may be a point of reference for other countries, too. VPF is not a perfect system but it’s certainly the best of the possible options.” This was the comment by Steve Perrin, who directs Digital Funding Partnership on behalf of the CEA. The fact that migration to digital is no longer a possibility but an unchangeable reality also emerged from the talk by John Fithian, President of Nato, the association that unites U.S. exhibitors. “The chance to benefit from VPF will not last forever: my advice is not to postpone the decision.” |
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